Using Sumiko (charcoal powder) or Sabi-Urushi, build up the drawing design; then, draws by Fude with E-Urushi, and spread out Gold clustered powder or color powder to enhance design. After dried, polishing by Makiko powder after coated Suri-Urushi.

This is combination of Taka-Makie and Togidashi-Makie, entire process is same, but water polishing by Sumi (charcoal) is complicated.

Raden
Craft thick shell to flat plate (1-2mm thickness), and cut off design or make mosaic design; then, inlay the surface. Raden uses sea shell with nacreous layer, just like pearl color.

Aogai
Craft thin shell to flat sheet (thickness: 0.08mm) cut off design or make mosaic design; then, paste on the surface by Sejime-Urushi. After finished Uwanuri, make smooth flat surface by water polishing process.

Hyoumon
This is the same process as Raden or Aogai, but uses soft metal sheet (gold, silver...) as inlay design.

Chinkin
Line-carving on the surface of Tatenuri, inlay golden leaf or line.

Kinma
Line-carving on the Urushi coated surface, applied color Urushi; then, water polishing with Sumi.

Ishime

Spread out Sumi (charcoal) powder or dried Urushi powder on surface to create wrinkles before dry up.

Tsui-shu

Overlaid Shu Urushi (red colored Urushi) for several 10 times; carved desgin. If black Urushi was used, it called Tsui-koku.

Hakue

Draw design by Nikawa glue or Sejime Urushi; then, place Gold leaf. After dried surface, remove the excess gold.

Zonsei

Draw design by Roiro Urushi on the Iro-Urushi coated surface; then, line-carved the edge after dried.

Tsuikin

Making gel sheet mixing with Urushi and color powder; then, draw and cut off design. Paste the design on the surface. It also calls Okinawa Urushi coating.

Rankaku

Pure white color is hard to make; therefore, paste eggshell cluster by Sejime Urushi.